Typos korrigiert

assets/interactions/cinema.ink

@@ -23,11 +23,11 @@ The lobby has a very retro, synth-wave, neon, 70s look to it. The carpet alone m
 * [>>>]
 -
 
-Better look to the ceiling with its wavey cutouts backlit by colorful LED.
+Better look to the ceiling with its wavy cutouts backlit by colorful LED.
 
-The ticket booth is unmanned of cause, as is the snack dispensary. Which seems well stocked at least. The popcorn even looks fresh. Well, it smells fresh at least. The scent of pleasantly burned sugar is heavy in the air.
+The ticket booth is unmanned of course, as is the snack dispensary. Which seems well stocked at least. The popcorn even looks fresh. Well, it smells fresh at least. The scent of pleasantly burned sugar is heavy in the air.
 
-The ribbon barrier is closed but easy enough to bypass. Is it closed? It looks open. Though abandoned. But not for long. Not the abandonment of disrepair, only the monetary abandonment place like this experience between beginning and end of the shows. When all the visitors sit in their seats and the staff takes this moment to slip away for a quick smoke break. Something like that. Full behind doors but empty in the open.
+The ribbon barrier is closed but easy enough to bypass. Is it closed? It looks open. Though abandoned. But not for long. Not the abandonment of disrepair, only the momentary abandonment place like this experience between beginning and end of the shows. When all the visitors sit in their seats and the staff takes this moment to slip away for a quick smoke break. Something like that. Full behind doors but empty in the open.
 
 * [>>>]
 -
@@ -40,7 +40,7 @@ You can even hear sounds that must be a film playing. Screams and gunfire. You h
 * [Go to the ticket booth]
     The graspable of the ticket booth is plastered with advertisements, movie posters and prohibition signs informing visitors of behaviours and attire within the cinema. The slip you took for a "closed" sign that hangs in the middle of the glass says the following.
 
-    "No tickets required. Precede with caution."
+    "No tickets required. Proceed with caution."
 
     On the little table where someone would place their tickets, there is another slip reading:
 
@@ -66,10 +66,10 @@ You can even hear sounds that must be a film playing. Screams and gunfire. You h
 
 The foliar is big. With couches to wait and meet and lounge on. The room is only broken up by advertising columns. Some of them display movie posters, though most are empty.
 
-A long bar stretches the length of the back wall. Behind it chips and candy are stacked on shelves like thoughs of an actual bar. It even has a mirrored backwall, which visually multiplies the colourful packaging. This pattern is only broken by enormous popcorn machines, which are full to the brim.
+A long bar stretches the length of the back wall. Behind it chips and candy are stacked on shelves like those of an actual bar. It even has a mirrored backwall, which visually multiplies the colourful packaging. This pattern is only broken by enormous popcorn machines, which are full to the brim.
 
 Do you want to grab a snack?
-* [Of cause]
+* [Of course]
     ~ snaks = 1
     ** [Sweet] You grab a sweet snack. You are lucky. They have your favourite.
         ~ had_sweets = 1
@@ -98,7 +98,7 @@ To both sides of the room are stairs. This is a multi-floor cinema.
     {not (f1 > 0 or f2 > 0):
         You choose the left staircase to ascend.
 
-        Pictures of actors in film scenes decorate the walls. They are probably supposed to be famous. Iconically recognisable. You know now of them. However, some catch your eye as familiar until you take a second look. They are certainly not cheap generic-property knockoffs to avoid copyright infringement. It's just a coincidence.
+        Pictures of actors in film scenes decorate the walls. They are probably supposed to be famous. Iconically recognisable. You know none of them. However, some catch your eye as familiar until you take a second look. They are certainly not cheap generic-property knockoffs to avoid copyright infringement. It's just a coincidence.
 
         A big number: 2 marks the landing to the next floor.
     }

assets/interactions/cinema_f4r4.ink

@@ -132,7 +132,7 @@ Her: No. It´s fine. You can sit down in the front as well. Just there will be f
                 Her: I need some space to perform. Just keep a little bit of a distance.
                 ++++ [Sit down across the aisle] You just sit down in the first seat across the aisle from her. -> f4r4.the_show
                 ++++ [Take a seat two places away from her]
-                    You shimmy into the aisle where she is and sit down with a double seat of space to her. A side glance in her direction subjects ruffely knit fabrics and jangling bracelets.
+                    You shimmy into the aisle where she is and sit down with a double seat of space to her. A side glance in her direction subjects ruffled knit fabrics and jangling bracelets.
                     -> f4r4.the_show
                 ++++ [Sit down in the back row]
                     You´d actually prefer to sit in the back row. So you go and take your seat, your back against the wall, with the whole theatre in view.
@@ -152,7 +152,7 @@ Her: No. It´s fine. You can sit down in the front as well. Just there will be f
 
         You can just make out a hand with long, pink acrylic nails and glittering rings gesturing to a place two seats away from her.
 
-        You shimmy into the aisle and take the seat. A side glance in her direction subjects ruffely knit fabrics and jangling bracelets.
+        You shimmy into the aisle and take the seat. A side glance in her direction subjects ruffled knit fabrics and jangling bracelets.
         -> f4r4.the_show
     * [Sit down across the aisle from her]
         You sit down in the first seat across the aisle from her.
@@ -181,7 +181,7 @@ Her: No. It´s fine. You can sit down in the front as well. Just there will be f
         -> f4r4.the_performer
 * (bunny)[Make the shadow figure of a bunny, to run from the wolf]
     You position your hands to make the figure of a bunny.
-    ++ It´s ears wiggle nervously. [] The ears of the wolf twitch in turn, with anticipation.
+    ++ Its ears wiggle nervously. [] The ears of the wolf twitch in turn, with anticipation.
     ++ It rubs its nose with its front paws in an attempt to be too cute to be eaten. [] But there is only a low hungry growl from the back of the theatre.
     --
     Your bunny decides to make a run for it.
@@ -505,7 +505,7 @@ It scuffs its hoofs, rears up and charges you.
 
             As you get back up again you see the shadow unicorn is already on top of you. Trampling you to death instead.
 
-            Her: There serves you right you jumping Jack. Are you trying to steal my scene? You know for a moment there I thought this was kind of fun. Tell me: what are your acting references?
+            Her: There, serves you right, you jumping Jack. Are you trying to steal my scene? You know for a moment there I thought this was kind of fun. Tell me: what are your acting references?
             ++++ [Get impaled]
             ---
         ---
@@ -560,11 +560,11 @@ It scuffs its hoofs, rears up and charges you.
 
             As you get back up again you see the shadow unicorn is already on top of you. Trampling you to death.
 
-            Her: There serves you right you jumping Jack. Are you trying to steal my scene? Tell me: what are your acting references?
+            Her: There, serves you right, you jumping Jack. Are you trying to steal my scene? Tell me: what are your acting references?
             ++++ [Get impaled]
             ---
     --
-    You try even harder for your second death scene. Now that you know you have an appreciative scene partner and audience. You cheat to the side of the screen to see the unicorn and its movement. It has got you through the solarplexus and you convulse with the jerks of its head. When it finally pulls its horn up and out, you go with the movement and fall face first to the floor. You just about manage to make it a stage fall and not knock your teeth out on the thin scratchy carpet.
+    You try even harder for your second death scene. Now that you know you have an appreciative scene partner and audience. You cheat to the side of the screen to see the unicorn and its movement. It has got you through the solar plexus and you convulse with the jerks of its head. When it finally pulls its horn up and out, you go with the movement and fall face first to the floor. You just about manage to make it a stage fall and not knock your teeth out on the thin scratchy carpet.
 
     You stay on the floor until you hear clapping.
 
@@ -611,7 +611,7 @@ When you look up to her face, your eyes adjust enough for you to see. A mess of
 
         Her: Didn't even know they had those here. Sweet. But that's it. You should try some of the local sorts. They pack a little more ZING.
     - else:
-        Her: Hugh. Salty snacks. OK I guess. Sorry, I normally prefer sweets. But I'd still like to try some.
+        Her: Huh. Salty snacks. OK I guess. Sorry, I normally prefer sweets. But I'd still like to try some.
 
         She tears at the plastic wrapping and tosses a piece up into her hand which folds into a fist briefly. A second later, when her hand resumes the foxface the snack is gone.
 
@@ -643,7 +643,7 @@ When you look up to her face, your eyes adjust enough for you to see. A mess of
 
         Her: Didn't even know they had those here. Sweet. But that's it. You should try some of the local sorts. They pack a little more ZING.
     - else:
-        Her: Hugh. Salty snacks. OK I guess. I normally prefer sweets. But I guess this is a total emergency situation.
+        Her: Huh. Salty snacks. OK I guess. I normally prefer sweets. But I guess this is a total emergency situation.
 
         She tears at the plastic wrapping and tosses a piece up into her hand which folds into a fist briefly. A second later, when her hand resumes the foxface the snack is gone.